Another Spectrum

Personal ramblings and rants of a somewhat twisted mind


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Stubbies

A comment over on Behind the Glass regarding short shorts, reminded me of the era when such attire was part of the modern man’s wardrobe in Aotearoa New Zealand. It was even appropriate where in other parts of the world a business suit would be more appropriate. Such fashion is now a distant memory for those of us who lived through the seventies, but perhaps Trump’s determination to accelerate climate change, will see them return before too long.

This is what sprung to mind on reading short shorts:

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Who’s being racist?

Last year, there was a petition circulating calling for a boycott of a joint New Zealand Australian production of The New Legends Of Monkey because the petitioners claim the show is guilty of “whitewashing“. I refused to sign the petition at the time as I was unaware of the background behind it. However, if I had known the details, I still would not have signed.

The petitioner’s argument was that “media producers who replace Asian characters with white actors reinforce the idea that ‘whiteness’ is the standard and European features are the epitome of beauty, thereby convincing non-white children to loathe their own appearances and develop self-hate”. The four lead roles are played by Kiwis and Aussies.

The show is the latest in a line of fantasy TV series produced in Aotearoa New Zealand, some for NZ viewers and some for international audiences, including Hercules: The Legendary Journeys, Xena: Warrior Princess, Legend of the Seeker, Dark Knight, and The Almighty Johnsons, among others.

With the exception of The Almighty Johnsons, which was set in present day New Zealand, the shows depict mythological worlds loosely based on legends that themselves are set in a specific place and time. However, the shows are simply themed on the legend and make no attempt to accurately portray a specific place and time in history.

The same can be said of The New Legends of Monkey. The story is loosely based on a Chinese legend, and while the legend was set in China (after all, the story tellers and audiences were Chinese and possibly knew little of other cultures), that setting isn’t essential for the retelling of the story. The theme of the show is not an attempt to recreate a historically accurate depiction of a particular time in Chinese history. In the words of its creators the story is set in a “magical fantasy world“.

If the the actors were made up to appear as though they belonged to a different ethnicity by changing facial features (often in exaggerated form), then I believe that would be inappropriate, especially if race (I dislike that word), culture or ethnicity was part of the plot. If the series was filmed in China, then I expect it would be natural for all the cast would be Chinese, including all the minor roles and walk on parts.

However, it was shot in New Zealand, and the the ethnic mix of the actors, both lead and minor are not that different from a typical cross section of Kiwi society. Two of the lead actors speak in a fake accent, but it’s not in a hammed-up Chinese accent, which would indeed be a case of whitewashing. It’s a North American accent to make the show more attractive to a wider Netflix audience. The rest use accents commonly found in New Zealand.

I also question whether “whitewashing” could be applied under any circumstance in relation to the show.  Josh Thomson (Pigsy) and Luciane Buchanan (Tripitaka) are Tongan Kiwis, and Chai Hansen (Monkey) is Thai-Australian, leaving Emilie Cocquerel (Sandy) as the only “white” actor. So the term is clearly inappropriate in the case of The New Legends of Monkey.

While I’m not claiming whitewashing doesn’t happen, as it certainly has in the past and still does to some extent, I really think those promoting the boycott were way off the mark with this particular show. In fact I feel like they are a “tiny bit racist“.

In Aotearoa New Zealand The New Legends of Monkey can be viewed on TVNZ On Demand and Netflix. I confess I’m a fan of this genre. Below are trailers for the six TV shows mentioned in this article.


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Batten down the hatches!

Just as I begin recovery from the recent onslaught of a severe migraine attack, I find we are about to face a new onslaught. What was supposed to be the tail end of Cyclone Cook is making landfall about now. Over the last day it has intensified and has now been categorised as the most severe weather event to hit Aotearoa New Zealand in almost fifty years.

On the 10th of April 1968, Cyclone Giselle, the worst extratropical cyclone in New Zealand’s recorded history caused widespread damage throughout the country and the sinking of the Inter-Island ferry TEV Wahine, resulting in the death of 53 passengers.

Everyone has all but forgotten the name of the cyclone. Those like myself who lived through it simply remember it as the Wahine Storm ot Wahine Disaster. It’s an experience few can forget. Lets hope Cyclone Cook proves to be an anticlimax.

The clip linked to below is taken from the evening news bulletin that day. For those of us there it seemd more dramatic as we had the “privilege” of watching the event unfolding through our television screens and knowing that the weather prevented any effective rescue.
https://www.nzonscreen.com/embed/7e15d764847b5b81


Postscript: All very much a let down in this part of the country. The cyclone tracked further east than had been predicted and my side of North Island received only a moderate amount of rain and winds that fell short of being gale force. Other parts of the country did experience gale force winds and torrential rain, flooding, fallen trees, power cuts, block roads etc, here it could barely be described as a storm at all. Cyclone Cook will not go down in history as the second most severe weather event to hist the country in recent history.


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What do ads say about me?

I’ve heard it said that one can get learn much about a country by observing their ads. I’m sure something similar could be said about individuals by observing what types of ads they enjoy/prefer.

For no particular reason, I present below four of my favourite ads seen on NZ television over the last 25 years.

Toyota Bugger – 1990.

This is perhaps my favourite ad of all time simply because so little is said – essentially just one word repeated seven times over a period of 45 seconds.

Tip Top Togs Togs Undies – 2006

Personally I loathe budgie smugglers and would never wear them, but here in Aotearoa New Zealand they can be seen in all sorts of (inappropriate) places over the summer months.

Ghost Chips – 2011

It’s an unfortunate fact that NZ does not not do well in the drink driving stakes. Here’s one ad that chose not to use shock tactics to get the message across. The ad includes the words “I’ve been internalising a really complicated situation in my head” which has now developed a life of its own and can now be heard any time someone reveals they are having difficulty reaching a decision.

Instant kiwi – 1993

Instant Kiwi is a form of “Scratch-to-win” game of chance run by the Lotteries commission. During the 1990s their ads were based on the  “can do” attitude theme. For me it was a toss up between the ad shown below and another of their ads depicting the shooting of CDs.